Critics Poll 2011: 50-21
You’ve had the chance to tell us your favourite local albums of the year in our sixth annual Readers Poll. Now, it’s our critics’ turn to weigh in. Here’s the first installment (50-21) of our selections for Album of the Year 2011. Tomorrow, it’s the Top 20.


50. Nick Huggins
Five Lights
(Two Bright Lakes/Remote Control)
Key notes: First solo album in four years for the Melbourne-based producer (Otouto, Kid Sam) and Two Bright Lakes Records co-founder. Follows 2007’s Shipwreck
More reading: Interview – Nick Huggins
Nick Huggins - Iceberg by 00remotecontrol

49. Mick Harvey
Sketches From the Book of the Dead
(Mute/EMI)
Key notes: First “fully self-penned album” for the iconic former member of the Bad Seeds and the Birthday Party/Boys Next Door. Recorded and mixed with David McCluney at Atlantis Sound in Port Melbourne with additional recording at Harvey's own Grace Lane music room.
More reading: Interview – Mick Harvey
Mick Harvey - The Ballad of Jay Givens by Mute UK

48. The Singing Skies
Routine and War
(Preservation)
Key notes: Debut album from Kell Derrig-Hall, who’s played with the likes of Jack Ladder, Rand and Holland and Seaworthy. Features backing vocals from partner and Moonmilk bandmate Lia Tsamoglou (aka Melodie Nelson). Recorded by Simon Grounds in Melbourne.
More reading: Track By Track
The Singing Skies - Acting Fine by Mess+Noise

47.Kimbra
Vows
(Warner)
Key notes: Debut album for New Zealand-born, Melbourne-based solo artist Kimbra Johnson. Co-produced with Franc Tetaz and M-Phazes. Features ‘Cameo Lover’, which came in at #16 in our Track of the Year for 2011.
More reading: Interview – Kimbra

46. The Paradise Motel
I Still Hear Your Voice At Night
Inertia
Key notes: Fifth studio album for the Melbourne-based seven-piece. Recorded before last year’s Australian Ghost Story, but put on hold following the death of drummer Damien Hill. Recorded at Sound Park studios in Melbourne in January 2008.
More reading: Interview – The Paradise Motel

45. The Vasco Era
The Vasco Era
Inertia
Key notes: Self-titled third album for the Apollo Bay-born trio. Recorded at Sound Park Studios in Melbourne with Steven Schram (The Devastations, Little Red). Follows 2009’s Lucille.
More reading: Interview – The Vasco Era
Child Bearing Hips by thevascoera

44. Golden Staph
Golden Staph
R.I.P Society
Key notes: Debut album for Perth five-piece fronted by Amber Gempton.
Golden Staph - Last Caesar by R.I.P SOCIETY RECORDS

43. Kitchen's Floor
Look Forward To Nothing
(Bedroom Suck)
Key notes: Second full-length from the Brisbane outfit fronted by Matthw Kennedy. Follows 2009’s Loneliness is a Dirty Mattress.
What we said: “Matt Kennedy has been holed up and writing more brilliant tales of woe.”
KITCHEN'S FLOOR - 116 by bedroomsuck

42. Panel Of Judges
Moods On The Move
(Mistletone)
Key notes: Fourth album by Melbourne outfit featuring dual vocalists Alison Bolger and Dion Nania, drummer Paul Williams and guitarist Martin Frawley (Twerps). Follows 2008’s Bad Vibrations.
What we said: “If Bad Vibrations was Melbourne’s Panel of Judges most ‘fully realised’, then this fourth album is the nebulous indie four-piece at its zenith.”
Panel of Judges - Coconut Trees by Mistletone

41. No Anchor
Real Pain Supernova
(Independent)
Key notes: Third studio album for the Brisbane-based trio: bass players/singers Donovan Miller and Ian Rogers and drummer Alex Gillies. Follows 2009 LP Steam and last year’s live album Press Start And Wait For Drone....
What we said: “It starts as it means to finish. Full-on, heavy, a miasma of distorted guitars and thudding dreams and strangled vocals.”

40. Mr. Maps
Wire Empire
(Lofly Recordings)
Key notes: Debut full-length by Brisbane-based instrumental ensemble. Follows last year’s EP Nice Fights.
What we said: “Wire Empire is an immersive listen. These are complex arrangements that demand full attention – lest you miss the finer points – but it works just as well in the background, as the subconscious mind happily rides out the peaks.”
Mr. Maps - Nice Fights by lofly recordings

39. Divorced
Separation Anxiety
(Untapped Resources)
Key notes: First album by Melbourne “supergroup” comprising members of Scott and Charlene’s Wedding, Beaches, ZOND and The Spazzys. Produced by Jack Farley.

38. Jonti
Twirligig
(Mistletone)
Key notes: Debut solo album for South African-born producer and Odd Future collaborator Jonti Danilewitz aka the artist formerly known as Danimals/Djanimals. First Australian signing to Stones Throw Records. Features ‘Firework Spraying Moon’, which came in at #15 in our Tracks of the Year.
More reading: Interview – Jonti
Jonti - Hornet's Nest by stonesthrow

37. The Middle East
I Want That You Are Always Happy
(Spunk!)
Key notes: Second debut album for now defunct Townsville outfit, following “promising” 2009 EP The Recordings of The Middle East.
More reading: Interview – The Middle East
The Middle East - 'Black Death 1349' by SpunkRecords

36. YIS
Kingdom of Fuzz
(Independent)
Key notes: Debut album for Melbourne three-piece. Recorded/mixed by Paul Maybury (Rocket Science) at A Secret Location in Fairfield, Victoria, in September 2010.
What we said: “Most of the songs on Kingdom of Fuzz … sound better when they're played loud and soaked in beer.”

35. The Grates
Secret Rituals
(Dew Process)
Key notes: Third album for the Brisbane-born, New York-based duo of singer Patience Hodgson and guitarist John Patterson (drummer Alana Skyring left the band last year to embark on a career in the culinary arts). Follows 2008’s Teeth Lost, Hearts Won. Features ‘Turn Me On’, which came in at #10 in our Tracks of the Year.
What we said: “The Grates have changed – the sooner you accept that the sooner you can relax and enjoy this very impressive record.”
More reading: Interview – The Grates
The Grates - Turn Me On by Goltzman*

34. Ben Salter
The Cat
(MGM Distribution)
Key notes: Debut solo album, more than a decade in the writing, from Gin Club frontman. Recorded with Gareth Liddiard and Robert F Cranny in Haviliah, Victoria.
More reading: Track By Track
04 - Ben Salter - The Mailbox Song by bluebeard

33. The UV Race
Homo
(Aarght!)
Key notes: Second album for the Warragul/Melbourne punk collective. Follows 2009’s self-titled debut full-length. Recorded and mixed by Mikey Young (Eddy Current Suppression Ring, Total Control).
UV RACE - HOMO by tonyclifton III

32. Mike Noga
The Balladeer Hunter
(Other Tongues)
Key notes: Second album for Noga, best known as sticksman for The Drones. Follow-up to 2006 debut Folk Songs. Recorded in an old warehouse on the outskirts of Melbourne over two nights, with each song captured in the first or second takes.
More reading: Interview – Mike Noga

31. Dereb The Ambassador
Dereb The Ambassador
(Other Tongues)
Key notes: Debut album for Ethiopian-born singer Dereb Desalegn. Backed by a seven-piece band featuring members of The Strides and Deep Sea Arcade and recorded by producer Tony Buchen using only pre-1970s equipment.
Dereb The Ambassador- Etu Gela by Other Tongues

30. Pets With Pets
Saturday Aquatic Pixie Acid
(Sensory Projects)
Key notes: Debut album for Melbourne duo comprising Zayd Thring (guitars, vocals, keyboards, samples) and Jonathan Edmonds (drums, percussion). Recorded March 2009 to May 2010 by Shags Chamberlain (Lost Animal, Pikelet). Features ‘Pixie Child’, which came in at #18 in our Tracks of the Year.
Pets With Pets - Pixie Child by sensoryprojects10

29. Jane Badler With Sir
Tears Again
(Intertia Distribution)
Key notes: Second collaborative album from Melbourne-based American actor Jane Badler (V, Neighbours, Fantasy Island) with SIR (aka Jesse Shepherd). Follows 2008’s The Devil Has My Double. Produced and arranged by internationally-acclaimed composer Paul Grabowsky.
What we said: *“Fun, sexy, intelligent and incredibly well-constructed by all players, Tears Again is a rare work of pop culture genius.”
More reading: Track By Track
Jane Badler with Sir - Men Who Lie by 00remotecontrol

28. Oh Mercy
Great Barrier Grief
(Casadeldisco/EMI)
Key notes: Second album for the Melbourne-based four-piece, following 2009’s Privileged Woes. Recorded in Los Angeles with Mitchell Froom (Crowded House). Features ‘Stay Please Stay’, which came in at #20 in our Tracks of the Year.
What we said: “Great Barrier Grief is a deceptively simple pop record; a deliberate exercise in restraint.”

27. Gotye
Making Mirrors
(Eleven/Universal)
Key notes: Third album for the Melbourne-based solo artist. Follow-up to the platinum-selling Like Drawing Blood (2006). Features top 40 hit ‘Somebody That I Used To Know’, which came in at #17 in our Tracks of the Year.
More reading: Interview – Gotye

26. Abbe May
Design Desire
(Source/MGM)
Key notes: Third album in four years for the WA-born singer. Follows 2009’s Hoodoo You Do.
What we said: “An artist not so interested in establishing an identity but in transcending it entirely.”
Taurus Chorus - Abbe May by sgcmedia

25. The Panics
Rain On The Humming Wire
(Dew Process)
Key notes: Fourth album for the Perth-born, Melbourne-based outfit. Follows the ARIA-winning Cruel Guards (2007). Recorded in Woodstock, New York, with producer John O’Mahony (Metric, Alberta Cross, Coldplay). Features ‘Majesty’, which came in at #12 in our Tracks of the Year.
More reading: Interview – The Panics
The Panics - Majesty by thepanics

24. Richard In Your Mind
SUN
(Rice Is Nice)
Key notes: Third album for Sydney five-piece Richard In Your Mind. Follows last year’s Australian Music Prize-nominated My Volcano.
What we said: “A chill, cohesive set that’s about consolidating ideas rather than exploding them.”
More reading: Interview – Richard In Your Mind
Richard In Your Mind - Vision by FBi Radio

23. Ron Peno and The Superstitions
Future Universe
(Fuse Music)
Key notes: Solo debut for the legendary Died Pretty frontman in collaboration with guitarist and composer Cam Butler (Silver Ray).
More reading: Icons – Ron Peno

22. Architecture in Helsinki
Moment Bends
(Modular)
Key notes: Fourth studio album for the Melbourne-based collective, following 2007’s Places Like This. Recorded over a two-year period in the band's studio space with the help of Francois Tetaz (Sally Seltmann, Gotye). Features ‘Contact High’, which came in at #3 in our Tracks of the Year
W.O.W by Architecture In Helsinki

21. Melodie Nelson
Mediations On The Sun
(Other Tongues)
Key notes: Solo project of Lia Tsamoglou, one half of now defunct Sydney experimental drone duo Moonmilk and ex-bassist for alt-folk group Rand and Holland. Recorded with Tony Dupe (Holly Throsby, Jack Ladder).
More reading: Track By Track
Melodie Nelson - My Johnny by othertongues
+
TOMORROW: Our critics’ top 20 albums of the year.
please explain?
because there was no m+n review for Ritardando, can we assume it hasn't made the list?
being reviewed on m+n isn't a prerequisite
GOTYE
Where's The Leafs??
I'm happy to provide my proof-reading services for a negotiable fee...
(I like beer and free CDs)
2011 has been a pretty weak year music wise bar a few exceptions.
Can you proof read my posts before I post them? I'm sure we can negotiate some kind of fee (Beer, more beer??)
the leafs put out a full-length LP?
for australian music? i thought internationally it was a bit shit, but i bought more australian albums this year than any other, i reckon.
same, at least since 92-94
+1
Lot of great albums missing from that list...means the 20 - 1 is gonna be a pretty incredible reflection of what this country produced.
Sure.
Beer up front!
Quality list so far.
What astrousersasmind said.
So many good records came out this year. Dick Diver for #1!
yawn
I don't hate this list, but with the readers poll and singles of the year and now this, I feel like I've read the same article three times. I get it already, this site worships the same set of boring indie bands.
waits for coz's list of the best Australian acts for 2011 that aren't on the other lists
this is a pretty stylistically diverse list. Dereb to No Anchor? what's on your list, Coz?
Yeah, lists get tired, but critics polls are the ones that I tend to take more than just a cursory glance at.
so who's missing coz? if you're going to chime in with these kind of statements, how about nailing your colours to the mast?
i may be bias, but this is a really diverse list -- there's everything from noise to ethio-jazz to punk to sound collage to singer-songwriter stuff to full-blown pop.
A good quarter of the list so far are pretty much variations on punk. Resurgence.
I already stated that I don't mind this list. I just think it's regurgitating the other lists.
But it's sourced from people who rate Gotye and Kimbra at the very arse end of the list, so it is thus the correct one.
The fact that he's on all three lists may have prompted my ''boring indie'' comment.
Homo at 33? Seems a bit silly. Money on Total Control to take it out.
Also, that AIH album is bullshit boring.
Lost animal for top 10
I just think it's regurgitating the other lists. '
Maybe it looks like some other top release lists because, yunno, these actually were some of the best releases of the year? Just sayin'.
p.s. 'The Cat' should have rated higher. Great album, that one.
AMEN.
Fucking hope not. The sound of my nutsack tearing sounds better to me than this album.
Really disappointed with some of the low placements on this list, but yunno, how many critics are there? Maybe 10-15? It's a sample that's easily skewed by individual taste and that's fine. It is what it is.
So what remains for the top 10? Geoffrey O'Connor, Oscar+Martin, Collarbones, Bed Wettin' Bad Boys, Royal Headache, Lost Animal, HTRK... ?
And I'll echo whoever said that what's impressive here is the breadth and depth with which M+N has looked at this stuff. Most or all these releases have been reviewed here, generally with insight and/or care, as well as the artists interviewed or the albums examined/explained track by track.
20, 20 critics, mwahahaha
bwbb's haven't done a album, maybe next year.
twerps, dick diver.
pretty sure they didn't put out an LP this year...
Oh yeah, triple derp for me. Sorry.
For sure, but (and this is just stating the obvious really) there are going to be common threads between those skewed tastes, and that's where the top ten is going to be most representative of the truly great records that reached through personal prejudice...hence the value of a poll with a small sample size and (in an ideal world) measured, informed opinions.
khancoban deserved a jersey here. :(
Needs more crunk-core.
Isn't Dereb the Ambassador's album from 2010?
Ill assume that Fourteen Nights At Sea are in the next installment?
Release in january I think, singles can out late 2010.
Great album. Surprised it didn't get a higher ranking.
Just because a band is noisy it doesn't therefore go down the flowchart that they are noise.
Glad to see Melodie Nelson in there, certainly the most worthy in that list.
It's a critic's poll, liamsnice, not a drunks poll.
out in March
so you're saying gotye's not ''noise''?
When's the rest of the list? I've lost interest in this part already.
top 20 up tomorrow
Boise.
i have come to realise that my criticism of some of the bands covered on this site should not be directed towards mess + noise but to the state of the australian music industry and the buying public. mess and noise do a good job in covering australian music, it's just a shame so much of it is as mediocre as it is.
by the way what the fuck were they smoking when they produced that ben salter track?
Mhmmm. That record's production confuses the fuck out of me. There was a good record in there, and it was obscured under all this weird shit and ridiculous ideas for arrangements. For something that was supposed to be Salter's intelligent songwriting project, you can't hear shit of what he's saying.
i had to pause it when i first heard it cause i thought something was playing in a different tab. speaking of tabs though i wouldn't be surprised if they were tripping when they recorded that little number.
well my mum thought this was cool.
HA. CENSORSHIP. JOSEJONES IS KIM JONG EUN.
jamie hutchings' avalon cassettes is better than most of those records that i have heard. Really disappointing it wasnt mentioned. but i guess really strong songwriting isnt that cool right now, not enough shitty shallow synthesiser bullshit for the kids huh? Fourteen nights at sea record was great as well. but i guess postrock is over as well
Maybe shitty shallow cassettes are over? We can but hope.
For the record, hindrance, I voted for Avalon Cassettes...it wasn't completely forgotten.