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Critics Poll 2011: 50-21

You’ve had the chance to tell us your favourite local albums of the year in our sixth annual Readers Poll. Now, it’s our critics’ turn to weigh in. Here’s the first installment (50-21) of our selections for Album of the Year 2011. Tomorrow, it’s the Top 20.



50. Nick Huggins

Five Lights
(Two Bright Lakes/Remote Control)

Key notes: First solo album in four years for the Melbourne-based producer (Otouto, Kid Sam) and Two Bright Lakes Records co-founder. Follows 2007’s Shipwreck

What we said: “In its weaker moments Five Lights can be just as ephemeral as its real-life inspirations, but for the most part it’s a lingering portrait of experience acutely examined.”

More reading: Interview – Nick Huggins

Nick Huggins - Iceberg by 00remotecontrol



49. Mick Harvey

Sketches From the Book of the Dead
(Mute/EMI)

Key notes: First “fully self-penned album” for the iconic former member of the Bad Seeds and the Birthday Party/Boys Next Door. Recorded and mixed with David McCluney at Atlantis Sound in Port Melbourne with additional recording at Harvey's own Grace Lane music room.

What we said: “As with every song on this very fine album, the craftsman’s treatment – all light piano flourishes and smooth, calm phrasing – works perfectly.”

More reading: Interview – Mick Harvey

Mick Harvey - The Ballad of Jay Givens by Mute UK



48. The Singing Skies

Routine and War
(Preservation)

Key notes: Debut album from Kell Derrig-Hall, who’s played with the likes of Jack Ladder, Rand and Holland and Seaworthy. Features backing vocals from partner and Moonmilk bandmate Lia Tsamoglou (aka Melodie Nelson). Recorded by Simon Grounds in Melbourne.

What we said: Routine and War is an album difficult to take lightly; one that invites the contemplation of life's bigger questions. Scaled back and not needing any fanfare, these songs are strong enough to simply exist.”

More reading: Track By Track

The Singing Skies - Acting Fine by Mess+Noise



47.Kimbra

Vows
(Warner)

Key notes: Debut album for New Zealand-born, Melbourne-based solo artist Kimbra Johnson. Co-produced with Franc Tetaz and M-Phazes. Features ‘Cameo Lover’, which came in at #16 in our Track of the Year for 2011.

More reading: Interview – Kimbra

Cameo Lover by Kimbra



46. The Paradise Motel

I Still Hear Your Voice At Night
Inertia

Key notes: Fifth studio album for the Melbourne-based seven-piece. Recorded before last year’s Australian Ghost Story, but put on hold following the death of drummer Damien Hill. Recorded at Sound Park studios in Melbourne in January 2008.

What we said: “If Ghost Story exposes the bare bones, its predecessor is the meat. Its lush arrangements are more obviously the product of time spent in the studio.”

More reading: Interview – The Paradise Motel



45. The Vasco Era

The Vasco Era
Inertia

Key notes: Self-titled third album for the Apollo Bay-born trio. Recorded at Sound Park Studios in Melbourne with Steven Schram (The Devastations, Little Red). Follows 2009’s Lucille.

What we said: “Swinging from the depths of depression to the careless highs of ignorance, the album is The Vasco Era at their most revealing.”

More reading: Interview – The Vasco Era

Child Bearing Hips by thevascoera



44. Golden Staph

Golden Staph
R.I.P Society

Key notes: Debut album for Perth five-piece fronted by Amber Gempton.

What we said: “This is the sound of being young, punk, smart, poor, lazy and talented. The sound of a band at the early stages of the typical new act cycle: make songs, record them, release them, go on tour, repeat until burnout.”

Golden Staph - Last Caesar by R.I.P SOCIETY RECORDS



43. Kitchen's Floor

Look Forward To Nothing
(Bedroom Suck)

Key notes: Second full-length from the Brisbane outfit fronted by Matthw Kennedy. Follows 2009’s Loneliness is a Dirty Mattress.

What we said: “Matt Kennedy has been holed up and writing more brilliant tales of woe.”

KITCHEN'S FLOOR - 116 by bedroomsuck



42. Panel Of Judges

Moods On The Move
(Mistletone)

Key notes: Fourth album by Melbourne outfit featuring dual vocalists Alison Bolger and Dion Nania, drummer Paul Williams and guitarist Martin Frawley (Twerps). Follows 2008’s Bad Vibrations.

What we said: “If Bad Vibrations was Melbourne’s Panel of Judges most ‘fully realised’, then this fourth album is the nebulous indie four-piece at its zenith.”

Panel of Judges - Coconut Trees by Mistletone



41. No Anchor

Real Pain Supernova
(Independent)

Key notes: Third studio album for the Brisbane-based trio: bass players/singers Donovan Miller and Ian Rogers and drummer Alex Gillies. Follows 2009 LP Steam and last year’s live album Press Start And Wait For Drone....

What we said: “It starts as it means to finish. Full-on, heavy, a miasma of distorted guitars and thudding dreams and strangled vocals.”

Dead Pony by No Anchor



40. Mr. Maps

Wire Empire
(Lofly Recordings)

Key notes: Debut full-length by Brisbane-based instrumental ensemble. Follows last year’s EP Nice Fights.

What we said:Wire Empire is an immersive listen. These are complex arrangements that demand full attention – lest you miss the finer points – but it works just as well in the background, as the subconscious mind happily rides out the peaks.”

Mr. Maps - Nice Fights by lofly recordings



39. Divorced

Separation Anxiety
(Untapped Resources)

Key notes: First album by Melbourne “supergroup” comprising members of Scott and Charlene’s Wedding, Beaches, ZOND and The Spazzys. Produced by Jack Farley.

What we said: “The Melbourne five-piece have encapsulated all that makes for a fun summer – hanging out with friends, listening to The Stooges, partying and doing stupid shit.”

Divorced by Mess+Noise



38. Jonti

Twirligig
(Mistletone)

Key notes: Debut solo album for South African-born producer and Odd Future collaborator Jonti Danilewitz aka the artist formerly known as Danimals/Djanimals. First Australian signing to Stones Throw Records. Features ‘Firework Spraying Moon’, which came in at #15 in our Tracks of the Year.

What we said: “With Twirligig, Jonti Danilewitz has a delivered an album with nary a dull moment … He also establishes, without a shadow of a doubt, that he is the best hip-hop producer to have come out of Australia in recent memory.”

More reading: Interview – Jonti

Jonti - Hornet's Nest by stonesthrow



37. The Middle East

I Want That You Are Always Happy
(Spunk!)

Key notes: Second debut album for now defunct Townsville outfit, following “promising” 2009 EP The Recordings of The Middle East.

What we said: “It’s frustrating but also somehow admirable. Instead of simply writing a record of first-listen love affairs like ‘Blood’, the band is making us work. Making us actually listen hard, take our time, and scan the back pages for whatever meaning we may find.”

More reading: Interview – The Middle East

The Middle East - 'Black Death 1349' by SpunkRecords



36. YIS

Kingdom of Fuzz
(Independent)

Key notes: Debut album for Melbourne three-piece. Recorded/mixed by Paul Maybury (Rocket Science) at A Secret Location in Fairfield, Victoria, in September 2010.

What we said: “Most of the songs on Kingdom of Fuzz … sound better when they're played loud and soaked in beer.”

YIS - Message by Mess+Noise



35. The Grates

Secret Rituals
(Dew Process)

Key notes: Third album for the Brisbane-born, New York-based duo of singer Patience Hodgson and guitarist John Patterson (drummer Alana Skyring left the band last year to embark on a career in the culinary arts). Follows 2008’s Teeth Lost, Hearts Won. Features ‘Turn Me On’, which came in at #10 in our Tracks of the Year.

What we said: “The Grates have changed – the sooner you accept that the sooner you can relax and enjoy this very impressive record.”

More reading: Interview – The Grates

The Grates - Turn Me On by Goltzman*



34. Ben Salter

The Cat
(MGM Distribution)

Key notes: Debut solo album, more than a decade in the writing, from Gin Club frontman. Recorded with Gareth Liddiard and Robert F Cranny in Haviliah, Victoria.

What we said: “The Cat is fantastic in its own right, but more tellingly it allows Salter to place a peg in the ground on which to build his own legacy.”

More reading: Track By Track

04 - Ben Salter - The Mailbox Song by bluebeard



33. The UV Race

Homo
(Aarght!)

Key notes: Second album for the Warragul/Melbourne punk collective. Follows 2009’s self-titled debut full-length. Recorded and mixed by Mikey Young (Eddy Current Suppression Ring, Total Control).

What we said: Homo proves that the UV Race have few equals when it comes to mixing punk with just the right amount of hooks, controlled chaos and sense of fun.”

UV RACE - HOMO by tonyclifton III



32. Mike Noga

The Balladeer Hunter
(Other Tongues)

Key notes: Second album for Noga, best known as sticksman for The Drones. Follow-up to 2006 debut Folk Songs. Recorded in an old warehouse on the outskirts of Melbourne over two nights, with each song captured in the first or second takes.

What we said: “It’s more varied than its predecessor, exploring different moods and ways to arrange its straightforward acoustic instrumentation.”

More reading: Interview – Mike Noga

M'Belle by Mike Noga



31. Dereb The Ambassador

Dereb The Ambassador
(Other Tongues)

Key notes: Debut album for Ethiopian-born singer Dereb Desalegn. Backed by a seven-piece band featuring members of The Strides and Deep Sea Arcade and recorded by producer Tony Buchen using only pre-1970s equipment.

What we said: “What results could be pegged as a beginners-guide to ethio-jazz for uninitiated listeners. It's more than that though, because Desalegn's voice – capable of straddling a myriad fervently felt emotions at once – is breathtaking.”

Dereb The Ambassador- Etu Gela by Other Tongues



30. Pets With Pets

Saturday Aquatic Pixie Acid
(Sensory Projects)

Key notes: Debut album for Melbourne duo comprising Zayd Thring (guitars, vocals, keyboards, samples) and Jonathan Edmonds (drums, percussion). Recorded March 2009 to May 2010 by Shags Chamberlain (Lost Animal, Pikelet). Features ‘Pixie Child’, which came in at #18 in our Tracks of the Year.

What we said: Saturday Aquatic Pixie Acid is an album in every sense of the term: its force is communicated by the way each climax, each invigorating pop pulse, emerges from the sea of noise that cultivates it.”

Pets With Pets - Pixie Child by sensoryprojects10



29. Jane Badler With Sir

Tears Again
(Intertia Distribution)

Key notes: Second collaborative album from Melbourne-based American actor Jane Badler (V, Neighbours, Fantasy Island) with SIR (aka Jesse Shepherd). Follows 2008’s The Devil Has My Double. Produced and arranged by internationally-acclaimed composer Paul Grabowsky.

What we said: *“Fun, sexy, intelligent and incredibly well-constructed by all players, Tears Again is a rare work of pop culture genius.”

More reading: Track By Track

Jane Badler with Sir - Men Who Lie by 00remotecontrol



28. Oh Mercy

Great Barrier Grief
(Casadeldisco/EMI)

Key notes: Second album for the Melbourne-based four-piece, following 2009’s Privileged Woes. Recorded in Los Angeles with Mitchell Froom (Crowded House). Features ‘Stay Please Stay’, which came in at #20 in our Tracks of the Year.

What we said: Great Barrier Grief is a deceptively simple pop record; a deliberate exercise in restraint.”



27. Gotye

Making Mirrors
(Eleven/Universal)

Key notes: Third album for the Melbourne-based solo artist. Follow-up to the platinum-selling Like Drawing Blood (2006). Features top 40 hit ‘Somebody That I Used To Know’, which came in at #17 in our Tracks of the Year.

What we said: “Making Mirrors nevertheless carries its weaker moments like other albums can’t, and proves superior to Like Drawing Blood at least in its logic as a complete piece of work.”

More reading: Interview – Gotye

State Of The Art by Gotye



26. Abbe May

Design Desire
(Source/MGM)

Key notes: Third album in four years for the WA-born singer. Follows 2009’s Hoodoo You Do.

What we said: “An artist not so interested in establishing an identity but in transcending it entirely.”

Taurus Chorus - Abbe May by sgcmedia



25. The Panics

Rain On The Humming Wire
(Dew Process)

Key notes: Fourth album for the Perth-born, Melbourne-based outfit. Follows the ARIA-winning Cruel Guards (2007). Recorded in Woodstock, New York, with producer John O’Mahony (Metric, Alberta Cross, Coldplay). Features ‘Majesty’, which came in at #12 in our Tracks of the Year.

What we said: “In paying penance to nostalgia, The Panics exist in a vacuum of creative allusion. They’ve been unafraid to cite their references and celebrate the naively hopeful influences of a past when rock and folk music was more than a genre, but a movement and a way of life.”

More reading: Interview – The Panics

The Panics - Majesty by thepanics



24. Richard In Your Mind

SUN
(Rice Is Nice)

Key notes: Third album for Sydney five-piece Richard In Your Mind. Follows last year’s Australian Music Prize-nominated My Volcano.

What we said: “A chill, cohesive set that’s about consolidating ideas rather than exploding them.”

More reading: Interview – Richard In Your Mind

Richard In Your Mind - Vision by FBi Radio



23. Ron Peno and The Superstitions

Future Universe
(Fuse Music)

Key notes: Solo debut for the legendary Died Pretty frontman in collaboration with guitarist and composer Cam Butler (Silver Ray).

What we said: “It is not an attempt to recapture the epicness that was the hallmark of Died Pretty, but rather a refinement of approach, driven by a forward-looking attitude.”

More reading: Icons – Ron Peno



22. Architecture in Helsinki

Moment Bends
(Modular)

Key notes: Fourth studio album for the Melbourne-based collective, following 2007’s Places Like This. Recorded over a two-year period in the band's studio space with the help of Francois Tetaz (Sally Seltmann, Gotye). Features ‘Contact High’, which came in at #3 in our Tracks of the Year

What we said: Moment Bends is neither a tribute nor a parody: it's bold, unashamedly sincere, celebratory and thoughtful, nuanced and heartfelt.”

W.O.W by Architecture In Helsinki



21. Melodie Nelson

Mediations On The Sun
(Other Tongues)

Key notes: Solo project of Lia Tsamoglou, one half of now defunct Sydney experimental drone duo Moonmilk and ex-bassist for alt-folk group Rand and Holland. Recorded with Tony Dupe (Holly Throsby, Jack Ladder).

What we said: “Beneath the sweet, ’60s girl-group veneer are tracks of immense power and significance wrapped in layers of charm and simplicity.”

More reading: Track By Track

Melodie Nelson - My Johnny by othertongues


+

TOMORROW: Our critics’ top 20 albums of the year.


Compiled by Lawson Fletcher, Jen Peterson-Ward, Tim Scott, Steph Kretowicz, Patrick Emery, Shaun Prescott, Hannah Brooks, Nick Argyriou, Max Easton, Sam Fell, Jon Tjhia, Caitlin Welsh, Andrew McMillen, Kate Hennessy, Matt Shea, A.H Cayley, Rene Schaefer, Edward Sharp-Paul, Darren Levin and Doug Wallen.

  -   Published on Tuesday, December 20 2011 by Darren Levin.
Related Artists


Your Comments

Ralph Malph  said about 1 year ago:

Second debut album

please explain?


slothman  said about 1 year ago:

because there was no m+n review for Ritardando, can we assume it hasn't made the list?


Mess+Noise  said about 1 year ago:

being reviewed on m+n isn't a prerequisite


ImBored  said about 1 year ago:

GOTYE


Thrummmer  said about 1 year ago:

Where's The Leafs??


GrantleyBuffalo  said about 1 year ago:

Here’s the first installment (50-21) of our selections for Album of the Year 2010.

I'm happy to provide my proof-reading services for a negotiable fee...

(I like beer and free CDs)


steveholt  said about 1 year ago:

2011 has been a pretty weak year music wise bar a few exceptions.


TheBastard  said about 1 year ago:

GrantleyBuffalo said 17 minutes ago:
Here’s the first installment (50-21) of our selections for Album of the Year 2010.

I'm happy to provide my proof-reading services for a negotiable fee...

(I like beer and free CDs)

Can you proof read my posts before I post them? I'm sure we can negotiate some kind of fee (Beer, more beer??)


Mess+Noise  said about 1 year ago:

Where's The Leafs??

the leafs put out a full-length LP?


hyperfuzz  said about 1 year ago:

2011 has been a pretty weak year music wise bar a few exceptions.

for australian music? i thought internationally it was a bit shit, but i bought more australian albums this year than any other, i reckon.


electricsound  said about 1 year ago:

but i bought more australian albums this year than any other, i reckon.

same, at least since 92-94


TheBastard  said about 1 year ago:

+1


ghoti-max  said about 1 year ago:

Lot of great albums missing from that list...means the 20 - 1 is gonna be a pretty incredible reflection of what this country produced.


GrantleyBuffalo  said about 1 year ago:

TheBastard said 15 minutes ago:
Can you proof read my posts before I post them? I'm sure we can negotiate some kind of fee (Beer, more beer??)

Sure.

Beer up front!


astrousersasmind  said about 1 year ago:

Quality list so far.


Ash-showoff  said about 1 year ago:

What astrousersasmind said.

So many good records came out this year. Dick Diver for #1!


Coz  said about 1 year ago:

yawn

I don't hate this list, but with the readers poll and singles of the year and now this, I feel like I've read the same article three times. I get it already, this site worships the same set of boring indie bands.


anonymous  said about 1 year ago:

waits for coz's list of the best Australian acts for 2011 that aren't on the other lists


hyperfuzz  said about 1 year ago:

this is a pretty stylistically diverse list. Dereb to No Anchor? what's on your list, Coz?


ghoti-max  said about 1 year ago:

I don't hate this list, but with the readers poll and singles of the year and now this, I feel like I've read the same article three times. I get it already, this site worships the same set of boring indie bands.

Yeah, lists get tired, but critics polls are the ones that I tend to take more than just a cursory glance at.


josejones  said about 1 year ago:

this site worships the same set of boring indie bands.

so who's missing coz? if you're going to chime in with these kind of statements, how about nailing your colours to the mast?

i may be bias, but this is a really diverse list -- there's everything from noise to ethio-jazz to punk to sound collage to singer-songwriter stuff to full-blown pop.


ghoti-max  said about 1 year ago:

A good quarter of the list so far are pretty much variations on punk. Resurgence.


Coz  said about 1 year ago:

so who's missing coz? if you're going to chime in with these kind of statements, how about nailing your colours to the mast?

I already stated that I don't mind this list. I just think it's regurgitating the other lists.


ghoti-max  said about 1 year ago:

I already stated that I don't mind this list. I just think it's regurgitating the other lists.

But it's sourced from people who rate Gotye and Kimbra at the very arse end of the list, so it is thus the correct one.


Coz  said about 1 year ago:

The fact that he's on all three lists may have prompted my ''boring indie'' comment.


ASLEEP  said about 1 year ago:

Homo at 33? Seems a bit silly. Money on Total Control to take it out.


ASLEEP  said about 1 year ago:

Also, that AIH album is bullshit boring.


Goal attack  said about 1 year ago:

Lost animal for top 10


kuroneko  said about 1 year ago:

I just think it's regurgitating the other lists. '

Maybe it looks like some other top release lists because, yunno, these actually were some of the best releases of the year? Just sayin'.

p.s. 'The Cat' should have rated higher. Great album, that one.


ASLEEP  said about 1 year ago:

Maybe it looks like some other top release lists because, yunno, these actually were some of the best releases of the year? Just sayin'.

AMEN.


ASLEEP  said about 1 year ago:

Goal attack said 3 minutes ago:
Lost animal for top 10

Fucking hope not. The sound of my nutsack tearing sounds better to me than this album.


untold/animals  said about 1 year ago:

Really disappointed with some of the low placements on this list, but yunno, how many critics are there? Maybe 10-15? It's a sample that's easily skewed by individual taste and that's fine. It is what it is.

So what remains for the top 10? Geoffrey O'Connor, Oscar+Martin, Collarbones, Bed Wettin' Bad Boys, Royal Headache, Lost Animal, HTRK... ?


untold/animals  said about 1 year ago:

And I'll echo whoever said that what's impressive here is the breadth and depth with which M+N has looked at this stuff. Most or all these releases have been reviewed here, generally with insight and/or care, as well as the artists interviewed or the albums examined/explained track by track.


anonymous  said about 1 year ago:

20, 20 critics, mwahahaha

bwbb's haven't done a album, maybe next year.

twerps, dick diver.


josejones  said about 1 year ago:

Bed Wettin' Bad Boys

pretty sure they didn't put out an LP this year...


untold/animals  said about 1 year ago:

Oh yeah, triple derp for me. Sorry.


ghoti-max  said about 1 year ago:

It's a sample that's easily skewed by individual taste.

For sure, but (and this is just stating the obvious really) there are going to be common threads between those skewed tastes, and that's where the top ten is going to be most representative of the truly great records that reached through personal prejudice...hence the value of a poll with a small sample size and (in an ideal world) measured, informed opinions.


Ash-showoff  said about 1 year ago:

khancoban deserved a jersey here. :(


dazmurray  said about 1 year ago:

Needs more crunk-core.


checkers  said about 1 year ago:

Isn't Dereb the Ambassador's album from 2010?


liamsnice  said about 1 year ago:

Ill assume that Fourteen Nights At Sea are in the next installment?


JRB  said about 1 year ago:

Isn't Dereb the Ambassador's album from 2010?

Release in january I think, singles can out late 2010.

Great album. Surprised it didn't get a higher ranking.


Hellzapoppin  said about 1 year ago:

there's everything from noise

Just because a band is noisy it doesn't therefore go down the flowchart that they are noise.

Glad to see Melodie Nelson in there, certainly the most worthy in that list.


untold/animals  said about 1 year ago:

Ill assume that Fourteen Nights At Sea are in the next installment?

It's a critic's poll, liamsnice, not a drunks poll.


Mess+Noise  said about 1 year ago:

Isn't Dereb the Ambassador's album from 2010?

out in March


Mess+Noise  said about 1 year ago:

Just because a band is noisy it doesn't therefore go down the flowchart that they are noise.

so you're saying gotye's not ''noise''?


ASLEEP  said about 1 year ago:

When's the rest of the list? I've lost interest in this part already.


Mess+Noise  said about 1 year ago:

top 20 up tomorrow


Hellzapoppin  said about 1 year ago:

so you're saying gotye's not ''noise''?

Boise.


mule  said about 1 year ago:

i have come to realise that my criticism of some of the bands covered on this site should not be directed towards mess + noise but to the state of the australian music industry and the buying public. mess and noise do a good job in covering australian music, it's just a shame so much of it is as mediocre as it is.


mule  said about 1 year ago:

by the way what the fuck were they smoking when they produced that ben salter track?


ghoti-max  said about 1 year ago:

by the way what the fuck were they smoking when they produced that ben salter track?

Mhmmm. That record's production confuses the fuck out of me. There was a good record in there, and it was obscured under all this weird shit and ridiculous ideas for arrangements. For something that was supposed to be Salter's intelligent songwriting project, you can't hear shit of what he's saying.


mule  said about 1 year ago:

i had to pause it when i first heard it cause i thought something was playing in a different tab. speaking of tabs though i wouldn't be surprised if they were tripping when they recorded that little number.


hyperfuzz  said about 1 year ago:

well my mum thought this was cool.


toadphoney  said about 1 year ago:

HA. CENSORSHIP. JOSEJONES IS KIM JONG EUN.


the hindrance  said about 1 year ago:

jamie hutchings' avalon cassettes is better than most of those records that i have heard. Really disappointing it wasnt mentioned. but i guess really strong songwriting isnt that cool right now, not enough shitty shallow synthesiser bullshit for the kids huh? Fourteen nights at sea record was great as well. but i guess postrock is over as well


rigid  said about 1 year ago:

Maybe shitty shallow cassettes are over? We can but hope.


ghoti-max  said about 1 year ago:

For the record, hindrance, I voted for Avalon Cassettes...it wasn't completely forgotten.


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